Showing posts with label henry rollins. Show all posts
Showing posts with label henry rollins. Show all posts

3/3/08

Vol 2, Issue 17: "Hear it From the Pros" Pt 1: Teeing Off, A One on One Discussion with Post Modern Philosopher Henry Rollins

Though a man of infinite words (and calculated profanities) in the public limelight, in private, as my one-on-one discussion disclosed, Mr. Henry Rollins is unassumingly nonchalant; something I can only attribute to the fact that he clearly prefers to be the one holding the microphone. As an industry veteran notorious for his wild stage antics in both Black Flag & The Rollins Band, his hard hitting and unabashedly honest spoken word performances, his countless written works including several volumes of poetry, fiction, and prose, and most recently, his incredibly entertaining weekly talk show, The Rollins Show, hosted on IFC, it only seemed fitting to begin my new featurette interview series, “Here it from the Pros”, with the man himself. In conjunction with his latest worldwide spoken word tour, “Provoked”, I had the amazing opportunity to interview Mr. Rollins. Here’s what he had to say:

Growing up as a teenager in Washington, DC., Rollins’ musical awakening transpired when a friend of his first lent him a copy of a rare Ramones’ album. Finally finding an outlet for his pent up animosity, and aggression, Henry discovered punk, D.I.Y. ethics, and never looked back. Fast forward several decades later to present day, and I’m sure it’ll come to no one’s surprise that, “Do it Yourself” remains his mantra. As depicted by the numerous accessories including iron-on patches, and stickers worn by his kind: punk is for life, and it will never die.

When asked about his current outlook on the music industry and whether he felt the damage that ensued (and continues to unfold) from all of the illegal downloading could be repaired, Rollins indicated clearly his disconnection from that world. Though a seasoned performer and top selling artist himself, he’s never been one for the big business side of things, and to that he noted, “that even if it [the music industry] fell over tomorrow, most of the bands he checks out would be still be doing their thing. DIY keeps you from some of the dangers of the bigger parts of that mechanism”.

Undisputedly, a supporter of indie rockers, Henry feels that the biggest sin committed against musicians by the industry, was the disconnection between music and the people. In the heydays of the hippie era, prior to the commodification and commercialization of music as nothing more than a product for sale, music used to mean something to the people - it wasn’t merely a form of entertainment, but rather a voice for the generation. Like myself, Henry wonders when art will be restored to this dying form of expression?

Sticking true to his unconventional nature, Henry Rollins is a man who is very difficult to characterize. Perhaps he intentionally safeguards himself from others as a means of self-preservation, or more likely, he enjoys keeping people guessing. Not one to personally advocate the use of labels to describe himself or his friends, though Rollins, himself, purports a rocker identity, he is a striking example of why it is bad to assume.

Contradictory to the sex, drugs, and rock’n’roll lifestyle promoted by all too many rockstars, commendably, Henry Rollins is against substance abuse - just another reason as to why he’s such a great role model. In fact, amidst all of his ongoing endeavours, the only part that he finds truly fulfilling is interacting with his fans. His chronic workaholic nature is something that he chalks up to the fact that he doesn’t ever want to find himself submitting to “the man” and forgetting all that he has to be grateful for.

Though this may come as a surprise to some, as a music listener, Henry doesn’t pigeonhole himself simply to punk. A devoted admirer of the late greats James Brown and Miles Davis, Henry supports any artist so long as he/she is hard-working and his/her music has meaning (I hope you guys are taking notes here). In fact, an artist he advised me to check out was Dax Riggs (http://www.myspace.com/daxriggs ), a dreary blues-rock musician from Louisiana, who seems to combine a more sophisticated version of Kurt Cobain’s emotional angst with Jimi Hendrix & the Experience’s solid blues backbeats infused with a modern take on the British garage band sound. Very strange, but cool - cool enough to reaffirm my belief that there is still good music out there somewhere (Thanks for that Henry! I especially liked the acoustic tracks).

Understandably, someone in his position is indefinitely bombarded with opportunities for exposure, and though this is the kind of lifestyle most of you crave, Henry applies one fast and simple rule to dealing with these offers that I think all of us ought to embrace: not to consider something an opportunity, if it requires you to sacrifice who you are or what you believe in. Rollins proudly admits that IFC has never instructed him to “tone it down”, and if they did, I can state with absolutely certainty that he’d have something to say about it (or better yet, someone’s ass to kick).

Though I know it can be difficult to reject a offer because it may just be “the one to make or break you”, I’ve got to side with Henry’s view on this, because I truly don’t believe in “selling out” just to become the next flavour of the week. As both his and my hard work demonstrate, earning your accolades of success through your own dedication and merit is not only more rewarding, but as well, you will earn respect for “sticking to your guns” in the long haul, from both fans and industry professionals, alike. In his own words, if an opportunity requires you to change who you are, “then it’s not really an opportunity, now is it?” To this he adds that, regrets are not something he feels he can afford.

In the space of the three hours of his performance, Henry compelled a packed house of a widely varying demographic to intense laughter, tears, and serious contemplation. His performance came to its finale with the only possible conclusion: an obligatory standing ovation. If one man has this much of an impact, just think of what we all could actually do. A man of humble roots, but great ambition - someone I admire that I think all of you could learn from.

The most intriguing moments of his lengthy soliloquy revolved around re-tellings of his own “starstruck” moments in which his defiant powerhouse persona crumbled when in the presence of the likes of Iggy Pop, and numerous other childhood idols of his. Though his exterior is lined with layers of thick skin, I appreciated his willingness to expose his vulnerable side; something you rarely see from men, let alone rockstars. Additionally, appealing to my personal sentiments, Rollins offered a seal of approval “shout-out” to feminists and equal rights activists further affirming how much he truly is a man for all people.

To hopefully leave you on a comic note, taking a page from the man himself, if you asked me why I love Henry Rollins, my response would be quite simple: because he’s exactly the kind of asshole that this world needs. Oh yeah, and if he were elected president, aside from kicking Bush’s ass, he says that he’d basically undo everything that has occurred over the past eight years - something for which, he thinks he’d get shot.

To learn more about Henry and his never ending list of accomplishments and the causes that he advocates, check out his official website http://www.henryrollins.com/

From the bottom of my heart, thank you Henry - I needed that.



About the Author:


Rose Cora Perry is the frontwoman for Canadian hard rock band ANTI-HERO known as “The 21st Century Answer to Nirvana”, as well as the sole owner and operator of HER Records, a management company in which she offers marketing, promotion, publicity, tour booking, and artist development services.

Her band ANTI-HERO has toured extensively across North America playing notable festivals such as Warped Tour, Canadian Music Week, NorthbyNorthEast, Wakefest, and MEANYFest.Voted “Best Rock Act of the Year” by numerous industry publications, their critically acclaimed debut album, "Unpretty" is available worldwide for purchase.

Rose Cora Perry is a dedicated promoter of D.I.Y. ethics, and an avid supporter of independent musicians.For more information on Rose Cora Perry and her band's accomplishments, please visit
http://www.anti-hero.ca/ or http://www.rosecoraperry.com/

2/25/08

Vol 2, Issue 16: Alternative Sources of Revenue Conclusion: Music Journalism

As a professional touring musician, as one may expect, I have encountered my share of “bad press”. Obviously, I’m so egotistical to believe that I’m immune to criticism. Just like any other musician, I realize that not everyone will believe that I shit gold (so to speak), BUT that’s fine with me, as I understand that these days, very rarely, can bands break generational, and cultural barriers managing to appeal to a highly diverse population. Instead, today’s music industry relies more on “niche” marketing. My bone of contention, however, lies in criticism that has no sense of validation. So when I say “bad press”, I am not merely referring to instances in which reviewers have disliked my material. Rather, I am making reference to journalistic pieces that are ill-researched, ignorant, and downright belittling to artists and/or media exposes that purport the never ending lie of “overnight success” stories; a symptom that seems to be widely affecting the world of music journalism.

My biggest concern relating to these pieces is, of course, their readership. Seeing as musical preference is highly subjective, and journalists are seen as being “experts” in their field, I, as not only a musician, but also as a music consumer, feel I am entitled to more. Between finding out that apparently I’m the drummer in my band (who knew?!) to being told that indie musicians should be grateful for illegal downloading to having the very SAME reviewer on two different occasions give my band completely contradictory critiques regarding our songwriting abilities, I’m beginning to think that, like much of the music industry, music journalism has lost any sense of self-respect and professionalism.

To me, it seems rather obvious that a big part of the problem comes from the fact that music journalists are NOT musicians, have NEVER been musicians, nor is having any musical background a prerequisite to getting hired. It’s one thing to be appointed a position of music journalism for being a decent writer, but knowing your field of so-called expertise, in my opinion, is a must. Additionally, in many cases, the writing isn’t even all that superb. Filled with grammatical mistakes, and a limited vocabulary, the average cd review that a band presently receives rarely even utilizes necessary terms from a musical lexicon. Now, I’m sure you’re wondering, well how did it even get to this point?

A major contributing factor, that will surely come as no surprise, is the internet. A vast majority of online music zines expect their writers to work pro-bono, and as one can imagine, if you’re doing something for free, likely you won’t put as much effort into it. Unfortunately the result for the reader is misinformation.

Traditional print magazines like Rolling Stone, Chart, and Alternative Press do manage to maintain higher standards, but only at the expense of being highly selective in terms of what goes to print. Because the music industry is so oversaturated, and all musicians are vying for attention, traditional high standing magazines generally can only provide exposure to well-established bands leaving a void for indie artists. This void, unfortunately for us, is being filled by anyone who has amateur website designing skills, and “thinks” that they know something about music. In fact, credence to what I’m saying is illustrated best in the example of Metal Sanaz.

Metal Sanaz is an Iranian-born “music journalist”, specializing in the genre of metal, who largely owes her recent success and notoriety to the advent of Myspace. With absolutely NO journalistic training, and her only experience relating to the industry being the fact that she is a “huge fan” (it also helps that she’s hot), she has managed to secure interviews with some of the industry’s biggest names in metal including: Gwar, Dave Navarro, Arch Enemy & Atreyu. I personally have nothing against this woman, nor do I want my comments to be interpreted as jealously or cattiness, but from a music journalism perspective, people like her are contributing to the problem; to say it bluntly, her interview skills are pathetic. For the vast majority of the video clips she has listed on her website, the conversations are dominated by the artists, and her questions lack any sense of thought-provocation or direction. Irrespective of this, her popularity continues to rage on, and in fact, she was recently selected to be a special guest co-host along with Carlos Mencia as part of an Operation Myspace Exclusive concert in Kuwait. I guess one could interpret her success as being due to her ability to bring music back to the people which is commendable, but that, I’ll leave up to you to decide. However, this is not to say that everyone’s getting it wrong. In fact, there are some music journalists out there doing more than their share, but consider this: a great deal of them were musicians themselves in another life, prior to their journalistic endeavours. Among those giving lifeblood back to the music journalism industry are Canada’s own Kevin Young and George Stroumboulopoulos, as well as former frontman of Black Flag, Henry Rollins, with whom I will be speaking in my next issue for an exclusive interview.

So what do I propose as a solution? Like those mentioned as well as myself, I think it’s not only necessary, but I feel its our duty to tell it how it actually is. Continuing with our theme of alternative sources of revenue for musicians, I think music journalism is by far the most rewarding among the other avenues we’ve been discussing. Not only can journalism jobs pay generously, but as well, it is personally fulfilling to know that you are contributing to your industry in such a meaningful way. There are tons of musicians, but few who actually stand to serve as role models and positive examples for others. Just as I have tried to offer you all that I can, both good and bad, based on my experiences and thorough research, in an effort to help you avoid making the same mistakes, I harken you to use your musical knowledge, training, and personal experiences for the better.

The biggest problem in today’s industry is NOT the prevalence of industry-related scams, NOR is it even illegal downloading, the artistic part of music and the business side of the industry have forever been natural nemeses. Rather, the issue that needs the most immediate attention is that of music education. Musicians, just as I once did, enter this industry bright-eyed, naive, and optimistic only to become dishearted and jaded individuals upon failure of commercial success. Being sensitive artists, they take it personally, not realizing that today’s industry is set up for you to fail. The rockstar is dead my dears, I’m sorry to report and the industry will never be as it once was. Success is still possible, but in very different ways, and if we, as experienced players do not pass on our knowledge to the next generations, it will only lead to the further perpetuation of this cycle.

Had I been told from the start the honest truth about what I was getting myself into, who knows, I may have decided long ago that a career change was in order. I’m not saying any of this to depress your dreams, I fully believe that each of you is capable of achieving anything to which you set your minds. I just hope that if music is really what you want, that you know exactly how the biz works. It’s been a long time since talent was the determining factor in the success of bands.


About the Author:

Rose Cora Perry is the frontwoman for Canadian hard rock band ANTI-HERO known as “The 21st Century Answer to Nirvana”, as well as the sole owner and operator of HER Records, a management company in which she offers marketing, promotion, publicity, tour booking, and artist development services.

Her band ANTI-HERO has toured extensively across North America playing notable festivals such as Warped Tour, Canadian Music Week, NorthbyNorthEast, Wakefest, and MEANYFest.Voted “Best Rock Act of the Year” by numerous industry publications, their critically acclaimed debut album, "Unpretty" is available worldwide for purchase.

Rose Cora Perry is a dedicated promoter of D.I.Y. ethics, and an avid supporter of independent musicians.For more information on Rose Cora Perry and her band's accomplishments, please visit
http://www.anti-hero.ca/ or http://www.rosecoraperry.com/