Throughout her sets, Joan was subjected to aerial assaults of garbage, and debris including pieces of metal, batteries and virtually anything else that the displeased audiences could find. During one show, the attack reached such heights that shortly after her performance, Joan collapsed and had to seek medical care as she sustained injuries which included two broken ribs that came close to puncturing her lungs. Despite all of this, she never revealed even the slightest moment of weakness, she just kept on rocking through it all, and that is why she is known as the one, and only Queen of Punk Rock.
Before we had established a reputation for being a legitimate hard hitting female fronted rocking ensemble, almost every time we played a new city, the other acts on the bill and the audience members alike, assumed that myself, and my female counterpart Nic, our bassist, were the tag-along band girlfriends and/or groupies just along for the ride. Moreover, when we got booked on metal or hardcore bills, before we were allowed to even strum a single chord on our guitars, the spectators, particularly the males, would make snide remarks toting us as being a group comparable to the Spice Girls. However, the worst of the offenses committed against us in our early career, undoubtedly goes to a Toronto concert promoter who blatantly told us, prior to our performance, that he only put us on the bill because he thought of female fronted acts as “novelty items”; essentially, to him, women who played guitars were subhuman, just sex objects with no real talent whose sole purpose was to act as objects of male fantasy.
As made apparent from the provided examples, there is still a heavy stigma alive and well towards women in rock, and unfortunately, because of the sort of sexism that female artists often encounter, it discourages many women from pursuing this route therefore making hard rocking chicks a rarity and so, subject to continued discrimination. As Naomi Less, a proud Jewish chick rocker notes, “I have been searching for some time now for seriously talented lead guitarists and bassists who are women - and in NYC [an entertainment capital, no less]. And they are so just hard to find.” But, afterall, the electric guitar is a natural extension of the penis right? Women don’t belong in rock bands, they should limit themselves to what they do best: shaking their asses and tits like Shakira. Well, sorry mates, but if this is the perspective that you’ve got, you need to timewarp back to the ‘50s, because even though fem rockers and riot grrls, like myself, may encounter this b.s., it just makes us even more motivated to prove all of those who’ve prejudged us wrong, and whether you like it or not, female fronted rock is gaining ground all over the globe.
Rose Cora Perry is the frontwoman for Canadian hard rock band ANTI-HERO known as “The 21st Century Answer to Nirvana”, as well as the sole owner and operator of HER Records, a management company in which she offers marketing, promotion, publicity, tour booking, and artist development services.
Her band ANTI-HERO has toured extensively across North America playing notable festivals such as Warped Tour, Canadian Music Week, NorthbyNorthEast, Wakefest, and MEANYFest.
Voted “Best Rock Act of the Year” by numerous industry publications, their critically acclaimed debut album, "Unpretty" is available worldwide for purchase. Rose Cora Perry is a dedicated promoter of D.I.Y. ethics, and an avid supporter of independent musicians.
For more information on Rose Cora Perry and her band's accomplishments, please visit http://www.anti-hero.ca/ or http://www.rosecoraperry.com/